Dr. Wilda Reviews: AAPD and UW ‘Dental Home Day’

25 May

Moi was very pleased to be invited to Dental Home Day which was held at the University of Washington Center for Pediatric Dentistry in conjunction with Healthy Smiles, Healthy Children (HSHC), and the foundation of the American Academy of Pediatric Dentistry (AAPD). She would like to acknowledge Erika J. Hoeft, AAPD Public Relations, Dr.Beverly Largent, President of the AAPD Foundation, Paul Amundsen, MNA, CFRE of Healthy Smiles, Healthy Children and Steve Steinberg, UW School of Dentistry Director of Communications. They were extremely informative and gracious in answering moi’s questions.

Readers may ask, what is the purpose of Dental Home Day. According to the HSHC site:

Sponsored by Sunstar Americas, Inc., Dental Home Day is our annual service day held in conjunction with the AAPD Annual Session. In partnership with a clinic or dental school in the AAPD host city, AAPD members from across the country volunteer and HSHC provides grants covering the cost of the event and ongoing dental care for participating children. Dental Home Day applications are by invitation only. http://www.healthysmileshealthychildren.org/

Since the AAPD Annual Meeting was in Seattle, they partnered with the UW Dental School. A shout out to San Antonio, the AAPD 69th Annual Session will be held May 26-29, 2016 in San Antonio, Texas. Since referrals to Dental Home Day are limited, children who may qualify should be referred early. http://www.aapd.org/join/benefits/

Readers may ask why children need a pediatric dentist and why is dental care so important for children. According to the AARP:

The statistics are alarming. The rate of tooth decay in primary (baby) teeth of children aged 2 to 5 years increased nearly 17 percent from 1988-1994 to 1999-
2004. Based on the most recent data, 28 percent of children aged 2 to 5 years in the entire U.S. population are affected by tooth decay. 19 By the age of 3, 5 percent
to 10 percent of U.S. children have oral health issues. 19 By age 5, about 60 percent of U.S. children will have had caries at some point, including the 40 percent of children who have it when they enter kindergarten. 4,20

The issue is not just that kids have caries—it’s that, for many kids, caries is not being treated and is turning into more serious problems….http://www.aapd.org/assets/1/7/State_of_Little_Teeth_Final.pdf

See, Frequently Asked Questions http://www.aapd.org/resources/frequently_asked_questions/#37
A pediatric dentist tends to the special needs of children.

One group who may be more comfortable with a pediatric dentist are those with special needs:

The AAPD defines special health care needs as “any physical, developmental, mental, sensory, behavioral, cognitive, or emotional impairment or limiting condition that requires medical management, health care intervention, and/or use of specialized services or programs. The condition may be congenital, developmental, or acquired through disease, trauma, or environmental cause and may impose limitations in performing daily self-maintenance activities or substantial limitations in a major life activity. Health care for individuals with special needs requires specialized knowledge acquired by additional training, as well as increased awareness and attention, adaptation, and accommodative measures beyond what are considered routine…”3
http://www.aapd.org/media/Policies_Guidelines/G_SHCN.pdf

It was emphasized that pediatric dentists want to see children smile because the children are not only healthier, but feel more confident.

The UW Center for Pediatric Dentistry hosted Dental Home Day. Here is the press release:

May 14, 2015

Dental Home Day kicks off year of care for 150 local children
About 150 Seattle-area children will receive a year’s fully subsidized dental care as part of Dental Home Day, an event on May 20 conducted by the University of Washington Center for Pediatric Dentistry and Healthy Smiles, Healthy Children (HSHC), the Foundation of the American Academy of Pediatric Dentistry (AAPD).

Dental Home Day, which takes place in conjunction with AAPD’s annual session, calls attention to the importance of giving every child a “dental home” – a continuing relationship with a dentist that addresses oral health in a comprehensive, continuously accessible, coordinated and family-centered way. The AAPD convenes in Seattle this year from May 21 to May 24.

Dental Home Day, which is sponsored by Sunstar Americas Inc., will take place at The Center for Pediatric Dentistry in Seattle’s Magnuson Park. The Center, a clinical partnership between the University of Washington and Seattle Children’s Hospital, opened in 2010, thanks to a $5 million founding gift from Delta Dental of Washington and the Washington Dental Service Foundation. Its mission is to provide not only a high standard of pediatric dentistry but also to conduct research and identify best practices in children’s oral health.

“We’re delighted to be hosting this event to provide care for dozens of children who have limited access to dental services,” said Dr. Rebecca Slayton, director of the University of Washington Center for Pediatric Dentistry. “Dental Home Day is an extension of our goal of making dental care as accessible as possible for all children, especially those who have the greatest need.”

The participating children – who have already been selected – will receive not only checkups, cleanings and restorative work as time permits on May 20, but follow-up care for a year thereafter. The care will be funded by $30,000 in grants from HSHC. Children received invitations to Dental Home Day through schools, social service agencies, pediatricians and other referral sources. The Center’s dental faculty and dental residents will be joined for the day by about 60 volunteer AAPD member dentists who will consult with the local dentists and guide patients through the clinic.

“This is the third year of our collaboration with Sunstar on Dental Home Day, and the UW Center for Pediatric Dentistry has pulled out all the stops,” said Dr. Beverly Largent, the HSHC president and a pediatric dentist from Paducah, Ky., who will be a Dental Home Day volunteer. “Not only do we anticipate this year’s Dental Home Day to be the largest turnout yet, but our grant to The Center will help support ongoing care for the next year.”
In addition to dental treatment, the young patients will enjoy some entertaining diversions on May 20. Appearances are scheduled by Seattle professional sports mascots including Mariners Moose and the Seahawks’ Blitz, plus Captain Amerigroup and Dr. Health E. Hound of United Healthcare. There will also be games, prizes, story time and a photo booth.

“This will be a lot of fun for the children, but there’s a very serious message behind Dental Home Day,” said Dr. Joel Berg, dean of the UW School of Dentistry and AAPD past president. “One of the most important things we can do with events like this is to spread awareness of the toll that dental disease takes on children. Caries, or tooth decay, is the most common childhood disease, and what’s truly frustrating is that most of it is preventable.”

Dr. Berg added: “We want to let people know that with early treatment, prevention and good dental habits, most children can have a lifetime of great dental health. And establishing a dental home is a key part of that.” http://thecenterforpediatricdentistry.com/dental-home-day-kicks-off-year-of-care-for-150-local-children/

Moi’s observation was the day was well organized and ran smoothly. There are a couple of key observations moi would make about what is a civil and civilized society.
Moi will frame this review with three quotes:

1. “Any society, any nation, is judged on the basis of how it treats its weakest members — the last, the least, the littlest.”
~Cardinal Roger Mahony, In a 1998 letter, Creating a Culture of Life

2. Luke 12:48 For everyone to whom much is given, of him shall much be required; and of him to whom men entrust much, they will require and demand all the more.

3. The Boy and the Starfish
A man was walking along a deserted beach at sunset. As he walked he could see a young boy in the distance, as he drew nearer he noticed that the boy kept bending down, picking something up and throwing it into the water.
Time and again he kept hurling things into the ocean.
As the man approached even closer, he was able to see that the boy was picking up starfish that had been washed up on the beach and, one at a time he was throwing them back into the water.
The man asked the boy what he was doing, the boy replied,”I am throwing these washed up starfish back into the ocean, or else they will die through lack of oxygen. “But”, said the man, “You can’t possibly save them all, there are thousands on this beach, and this must be happening on hundreds of beaches along the coast. You can’t possibly make a difference.”
The boy looked down, frowning for a moment; then bent down to pick up another starfish, smiling as he threw it back into the sea. He replied,
“I made a huge difference to that one!”
~Author Unknown~

150 children were cared for during Dental Home Day. This figure represents a small percentage of the children who need help. The pediatric dentists who give their time and treasure to support the AAPD Foundation came to their profession from many paths and circumstances, but they now represent the privileged in America. They are given the privilege of leadership, of course much is expected. People in helping professions may not be able to help everyone, but they can do their best to make a difference to those whose lives they touch. There are some very hard questions for any society, particularly one with the resources of a country like the U.S., about how the society treats its weakest and smallest members. Dental Home Day is like the little boy and the starfish, not every child is helped, but it makes a huge difference to those who are chosen. See, Healthy Smiles, Healthy Children Partners With 22 Organizations And Commits More Than $1.1 Million in Grants To Underserved Childrenhttp://www.aapd.org/healthy_smiles_healthy_children_partners_with_22_organizations_and_commits_more_than_11_million_in_grants_to_underserved_children/

Dr. Wilda gives a thumbs up to Dental Home Day. A shout out to San Antonio in 2016 to begin getting the word out to poor children in need of dental care.

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Dr. Wilda Reviews: Chino Aoshima at Seattle Art Museum

7 May

Moi attended the press review for Chino Aoshima: Rebirth of the World at Seattle Art Museum. (SAM) Here are the details:

Chiho Aoshima: Rebirth of the World
May 2 – Oct 4 2015
Asian Art Museum
Tateuchi Galleries

Ms. Aoshima attended the press preview. Moi’s overall impression is a woman who has been seeking solace from a very early age. Here are some excerpts from the material SAM has posted at its site:

Aoshima’s work has undeniably dark images but a positive attitude. There’s no evidence of fear in her art. Her murals, digital prints, and drawings don’t want to escape from society or from the future. Instead, she seems to embrace all possibilities, including a world where the skeletons and ghosts reside alongside the rest of us.
Her work may look like a surreal fantasy. But ask Aoshima, and she’ll tell you she’s showing us the reality that our beautifully chaotic world may be hurtling toward….

Initially, Aoshima created all of her artwork in Adobe Illustrator. Using hundreds of vectors (points, lines, curves, and shapes or polygons that can be scaled), she controls her images with precision. She repeatedly uses the same data for such background elements as trees, and she also spends extensive time making modifications in order to preserve the organic curves of her depictions of nature—such as vines. Within Illustrator, she creates original images for most of the major individual elements of a painting, such as the figures. She then layers in colors….

Unlike other Kaikai Kiki artists, Chiho Aoshima doesn’t have formal training in art. She graduated from the Department of Economics at Hosei University and then went to work for an advertising firm, where a graphic designer taught her how to use Illustrator… http://www.seattleartmuseum.org/exhibitions/chiho

Artspace has a succinct biography of Aoshima.

At SAM, Aoshima remarked about her childhood and the feeling that she got visiting cemeteries as well as the effect of the Shinto faith on her world view. Her current artistic inclination was a rebirth of thwarted artistic inclination of her childhood. Artspace says:

Influenced by anime and manga cartoons, Chiho Aoshima stands apart from her peers through her exploration of the dark currents lying beneath Japanese pop imagery. She presents nature at odds with man, girls at odds with traditional gender roles, and visions of renewal after the apocalypse. She says of her practice: “My work feels like strands of my thoughts that have flown around the universe before coming back to materialize.”

Not formally trained in art, Aoshima graduated from the Department of Economics at Hosei University before going to work for the artist Takashi Murakami, who eventually made her a member of his Kaikai Kiki collective…. http://www.artspace.com/chiho_aoshima

See, Timeline for Aoshima http://www.artnet.com/artists/chiho-aoshima/biography

Moi’s impression is that Aoshima is one of the most technically brilliant pop artists working in the contemporary world. Her technique is crisp, precise and engaging. But, and there is a but that most folk either will not notice or care about if they did notice. The but is the overwhelming sadness of her work, which most will attribute to a bleak future promised by technology. Moi listened to her description of her childhood and the fact that cemeteries offered some solace to a lonely child, who has in moi’s opinion, grown into a woman who has never shaken that childhood sadness.

SAM’s exhibit is divided into three sections:

1. An overview of Aoshima’s work over the past 15 years
2. Digital prints
3. Animated Video

The video has so many levels, one must see it a couple of times to really get clues about nuance and the many different levels of expression. Dr. Wilda recommends Chino Aoshima: Rebirth of the World because of its technical brilliance and the singular world view of Aoshima, which one does not have subscribe to in order to appreciate her authentic, for her, expression.

Resources:

Silenci? – Chino Aoshima – YouTube

A clip from the new animation by Chiho Aoshima, made in collaboration with Bruce Ferguson of Darkroom. The piece will premiere as part of “Chiho Aoshima: Rebirth of the World,” which opens on Saturday May 2 at the Seattle Museum of Art’s Asian Art Museum.
http://www.seattleartmuseum.org/exhibitions/chiho

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Dr. Wilda Reviews: Seattle Art Museum’s Indigenous Beauty

18 Feb

Moi recently attended the press preview of Seattle Art Museum’s (SAM) exhibit Indigenous Beauty. Here are the exhibit details:

Indigenous Beauty
Feb 12 – May 17 2015
Seattle Art Museum
Simonyi Special Exhibition Galleries

SAM describes the exhibit with the headline, “Experience the First Art of North America.” The Native Peoples of North America belong to many cultural groups and lived in the United States, Canada and Mexico. Indigenous Peoples is an attempt to give a flavor of the many cultures by organizing the art according to geographic region. The Native Peoples used the materials and resources that each region provided.

The America Federation of Arts, SAM and other supporters helped bring a sample of the Diker Collection to Seattle, Fort Worth, Atlanta and Toledo. The Diker Collection has been displayed at both the Smithsonian and Metropolitan Museums. Deborah Donovan wrote in a 2009 review of First American Art: The Charles and Valerie Diker Collection of American Indian Art:

The Dikers also have an extensive collection of modern and contemporary art in their home, and it was there that the curators of this exhibit, Native and non-Native scholars alike, came together to discuss the meanings of Native art.

Inspired by the unique juxtapositioning before them of historical Indian art with modern art-an Acoma olla placed on a table beneath two huge Jean Dubuffets and a colorful Calder mobile, for instance-the curators organized their discussion around seven aesthetic principles common to both: idea, emotion, intimacy, movement, integrity, vocabulary, and composition…. https://www.forewordreviews.com/reviews/first-american-art/

Given the breadth of the Native experience in North America, this carefully curated exhibit provides examples of the very best of Native artistry and craft. The artists and that is what they were, whether the genesis of their work arose from an expression of their spirit or just a need to create, demonstrate exceptional workmanship. Keep in mind; the artists used the materials they had available. Each piece in the exhibit tells a story about an aspect of the Native experience. Some of the stories may have been lost in the attempt to force assimilation on some of the cultures, but contemporary Native tribal members are attempting to recover the stories.

Indigenous People is simply stunning and a great education experience for all ages. It is worth traveling to one of the venues to breathe in the exceptional artistic and spiritual experience. Dr. Wilda gives Indigenous People a thumbs up.

Educational Resources:

Bibliography
http://www.seattleartmuseum.org/Bibliographies/Bib_DikerCollection.pdf

Indigenous Beauty Educator Resource List
http://www.seattleartmuseum.org/Documents/Indigenous%20Beauty%20Educator%20Resource%20List.pdf

Explore the regions
Western Arctic / eastern subarctic / northwest coast / great basin & california / southwest / plateau & plains / woodlands & southeast
http://www.seattleartmuseum.org/exhibitions/indigenous

Here is the SAM press release:

Indigenous Beauty
Feb 12 – May 17 2015
Seattle Art Museum
Simonyi Special Exhibition Galleries
Get Tickets
This spring, Seattle has the opportunity to see some of the most stunning works of American Indian art ever made.
Marvel at nearly 2,000 years of amazing skill and invention. Linger over drawings, sculptures, baskets, beaded regalia, and masks.
The immense variety of Indigenous Beauty: Masterworks of American Indian Art from the Diker Collection reflects the diversity of Native cultures. This superb exhibition offers more than great works of art and cultural artifacts—it is an invitation to explore other worlds.
Deeply engaged with cultural traditions and the land, indigenous artists over the centuries have used art to represent and preserve their ways of life. Even during the 19th and 20th centuries, when drastic changes were brought by colonization, artists brilliantly adapted their talents and used the new materials available to them to marvelous effect.
The works in Indigenous Beauty will inspire wonder, curiosity, and delight. Come experience the vast beauty of indigenous art from all across North America.
The guest curator for this exhibition is David Penney. Local curator is Barbara Brotherton, Curator of Native American Art at the Seattle Art Museum.
Indigenous Beauty: Masterworks of American Indian Art from the Diker Collection is organized by the American Federation of Arts. This exhibition was made possible by the generosity of an anonymous donor, the JFM Foundation, and Mrs. Donald M. Cox.

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Dr. Wilda Reviews: Ireland as a value vacation destination

31 Dec

Moi was invited to the “Jump into Ireland” presentation which was held at the Four Seasons Hotel in Seattle. The presentation included a complimentary no host bar including Guinness and other beers along with dinner which showcased Irish food and consisting of:

Salmon Irish Soda Bread Scones Lamb Stew Roasted Potatoes Cabbage Corned Beef An assortment of Irish Cheese and Butter An assortment of deserts including Guinness Chocolate and Cheese Cake

Information about Ireland can be found at “Jump into Ireland”: http://www.ireland.com/en-us/campaign/jump-into-ireland/

The headline of the presentation was no matter the number of stars one wants for their accommodation, Ireland delivers value from three stars to five stars at a price which is lower than continental Europe or Britain. A three star bed and breakfast starts at about $80 a night. The presentation emphasized the different regions of Ireland and the”Wild Atlantic Way” which is the longest designated driving route in the world. Another Highlight was Irish Design 2015 which is described as:

Irish Design 2015 is the start of a job creation journey exploring, promoting and celebrating Irish design and designers through events and activities on the island of Ireland and internationally…. http://www.dccoi.ie/year-of-irish-design-2015

Irish Design 2015 is a year of activities and presentations. Another interesting tidbit was Belfast’s association with the Titanic. Both Waterford Crystal and Guinness have stunning visitor centers. Belleek Pottery is one of the oldest working potteries in the world and has been in operation since 1857.

Getting to Ireland from the West Coast is easy with non-stop Aer Lingus service to Dublin from San Francisco and Los Angeles to Dublin service on Ethiopian Airlines. Ireland is a perfect vacation for the value conscious who want the European experience with great value and a choice of venues from urban sophistication, village, rural, or a golf experience. For those interested in fishing and hunting, one can also have those experiences. Accommodation ranges from bed and breakfast to castles and everything in between. The key word is value.

Because of the value, no matter how many stars wants for their accommodation, Dr. Wilda gives the presentation a thumbs up.

YouTube Videos:

There are several US partners to the “Jump into Ireland” campaign:

Brendan Vacations – Whitney Ramirez wramirez@brendanvacations.com l (800) 687-1002 l http://www.brendanvacations.com

CIE Tours International – Angela Restivo a.viscito@cietours.com l (214) 809-6257 l http://www.cietours.com

Isle Inn Tours – Michael Hawe mike@isleinntours.com l (703) 683-4800 l http://www.isleinntours.com

Sceptre Tours – Bonnie Garret bgarrett@sceptretours.com l (800) 221-0924 l http://www.sceptretours.com

Premier Golf – Bill Hogan bill.hogan@premiergolf.com l (866) 260-4409 l premiergolf.com

Specialized Travel Services – Katie Daly Katie.Daly@special-ireland.com l (800) 664-7474 l http://www.special-ireland.com

Island of Ireland Based Partners:

Ballinahinch Castle – Carol Hinch carol@ballynahinch-castle.com l +353 (95) 31006 l http://www.ballynahinch-castle.com

B&B Ireland – Helena Healy hhealy@bandbireland.com l +353 (71) 98 22222 l http://www.bandbireland.com

Guinness Storehouse – Fiona Herald Fiona.herald@diageo.com l http://www.diageo.com

Shelbourne Hotel – Sheila O’Sullivan sheila.osullivan@renaissancehotels.com l +353 (1) 663 4500 l http://www.renaissancehotels.com

Adams & Butler – Hallmark of Luxury Travel – Siobhan Byrne Learat Siobhan@adamsandbutler.com l +353 (1) 288 9355 l http://www.adamsandbutler.com

House of Waterford Crystal – David Mc Coy david.mccoy@wwrd.com l http://www.wwrd.com

Secret Ireland Escapes – Mark O’Dwyer mark@luxuryyachtingireland.com l http://www.luxuryyachtingireland.com

Ireland’s Blue Book – Michelle Maguire Michelle@irelandsbluebook.com l +353 (1) 676 9914 l http://www.irelandsbluebook.com

Ashford Castle – Regina O’Donoghue Sales@ashfordcastle.com l +353 (94) 9546003 l http://www.ashfordcastle.com

Railtours Ireland First Class – Jim Deegan jim@railtoursireland.com l +353 (1) 856 0045 l http://www.railtoursireland.com

Lough Eske Castle, A Solis Hotel & SPA – Sean Carney sean.carney@solishotels.com l +353 (74) 97 25100 l http://www.solishotels.com

Monart Hotel & SPA Liam Anthony Griffin liamagriffin@griffingroup.ie l +353 (53) 92 38999 l http://www.griffingroup.ie

Northern Ireland Based Partners:

Fermanagh Lakelands Tourism/Lough Erne Golf Resort – Andrew Phelan & Tanya Cathcart apelan@Loughernresort.com l tanya@fermananaghlakelands.com +44 (0) 28 6632 3110 http://www.fermanaghlakelands.com

National Trust Northern Ireland – Gillian Little gillian.little@nationaltrust.org.uk l +44 (0) 28 9751 2365 l http://www.nationaltrust.org.uk/ni

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Dr. Wilda Reviews Live On: Mr.’s Japanese Neo-Pop at Seattle Art Museum

23 Nov

Moi attended the press viewing of Live On: Mr.’s Japanese Neo-Pop at the Seattle Art Museum’s Asian Museum. Here are the details:

Nov 22 2014 – Apr 5 2015

Asian Art Museum

Tateuchi Galleries

If possible, Mr. should be seen in conjunction with Pop Departures:

Pop Departures

Oct 9 2014 – Jan 11 2015

Seattle Art Museum

Simonyi Special Exhibition Galleries

The exhibition takes us beyond the pioneers of Pop and to the work of subsequent generations of artists for whom Pop art has been an inspiration or a vehicle for critique. See works from the 1980s and ’90s by artists such as Lynn Hershman Leeson, Jeff Koons, Barbara Kruger, and Richard Prince. Continue with work made in the era of digital markets and social media by Margarita Cabrera, Josephine Meckseper, and Ryan Trecartin….http://www.seattleartmuseum.org/exhibitions/pop

According to the Seattle Art Museum’s description of Mr.’s exhibit:

Live On, which is organized by SAM, presents Mr.’s art of the past 15 years and is his first solo exhibition in a U.S. museum. Born in 1969, Mr. is a protégé of Takashi Murakami, internationally acclaimed icon of Japanese Pop art. He borrowed the name “Mr.” from “Mister Giants” (Shigeo Nagashima), the superstar clean-up hitter of the postwar Yomiuri Giants baseball team…                                                                                            http://www.seattleartmuseum.org/exhibitions/liveon

Lehmann Maupin has some very good information about Mr.

Mr. (b. 1969, Cupa, Japan) graduated from the Department of Fine Arts, Sokei Art School in Tokyo in 1996. Mr.’s work simultaneously studies and partakes in otaku, the Japanese “cute” subculture marked by fetishistic obsession with young adolescents, technology, sci-fi literature, manga, anime, and video games. Like his fellow Superflat artists, Mr. approaches the visual language of manga as a means of examining Japanese culture at large, fusing high and low forms of contemporary expression. Mr.’s paintings play with the hyper-sexualized portrayal of young women prevalent in otaku; know in Japan as “lolicon,” the term is originally shorthand for “Lolita Complex” but in usage has come to refer to the otaku preference for explicitly fictional young girls.

Mr. has exhibited internationally in both group and solo exhibitions including the acclaimed 2005 exhibition Little Boy: The Arts of Japan’s Exploding Subculture, Japan Society, New York; RED HOT: Asian Art Today from the Chaney Family Collection, Museum of Fine Arts Houston, Texas (2007); KRAZY! The Delerious World of Anime + Comics + Video Games + Art, Vancouver Art Gallery, Canada (2008); Animate, Fukuoka Asian Art Museum, Fukuoka, Japan (2009); Exhibition Kyoto-Tokyo: From Samurais to Mangas, Grimaldi Forum (2010); Leeahn Gallery, Seoul, Korea (2010). Mr.’s work is represented in numerous public and private collections worldwide. The artist lives and works in Saitama, just outside of Tokyo, Japan.           http://www.lehmannmaupin.com/artists/mr

Related:

Japanese Artist Mr. – Metamorphosis at Lehmann Maupin …

► 5:44► 5:44

http://www.youtube.com/watch?v=9fyPnFZZjtA

Sep 22, 2012 – Uploaded by VernissageTV

http://www.vernissage.tv | Japanese Artist Mr.: Metamorphosis: Give Me Your Wings / Lehmann Maupin Gallery ..

Aric Chen wrote an insightful analysis of Mr. in Art Crawl’s Candy Man:

Mr. is a Japanese artist whose cartoonish paintings and sculptures in bubblegum colors derive from Japan’s otaku (or “geek”) subculture. As such, he shares the otaku obsession with anime, manga comic books and what many have described as their unhealthy infatuation with little girls….

Mr.’s images are compellingly saccharine portraits of innocence taken to unsettling, seductive extremes. Admitting to a Lolita complex—though he says he doesn’t act on it—he maintains the line between fantasy and reality by realizing his fantasies through the medium of his work. All the while, his subject matter is both intensified and chastened, its dark desires illuminated by a sheen of cuteness, posing questions about the limits of acceptability, the boundlessness of imagination and the perversions hidden within all cultures, whether otaku or otherwise….   http://www.hintmag.com/artcrawl/artcrawl.php

See, Mr. ‘Metamorphosis: Give Me Your Wings’ at Lehmann Maupin Gallery (Video)       http://www.huffingtonpost.com/vernissagetv/mr-metamorphosis-give-me-_b_1907858.html

Live On is a sample of the past 15 years or so of Mr.’s work. It seemed to be divided into three periods. The first period was when Mr. was a struggling student artist and then working under the tutelage of Takashi Murakami. He explores themes of otaku culture, and lolicon themes using an anime/manga style. The periods flow into each. Mr. first period is typified by “Making Things Right” which depicts an uprising. This work is interesting because Mr. used scraps of canvas from Murakami to piece together a larger work. He was working as an apprentice and didn’t have much money.

Another period began in 2011 in response to the tsunami and nuclear accident. He mentioned that he explored themes of garbage when he was a student, but moved on. Japan and Italy were compared by Mr. because both suffered poverty after WWII. He mentioned the movement of Italian artists who explore the theme of garbage to express what is going on in their environment. See, In Naples, artists use irony to tackle festering trash crisis. http://www.csmonitor.com/Environment/Living-Green/2008/0506/in-naples-artists-use-irony-to-tackle-festering-trash-crisis According to Mr. the garbage installation at SAM just came out of him. He ties the garbage period to current work by including newer work in the installation. Frankly, moi is glad Mr. got garbage out of his system and will hopefully move on.

The third period is a period of an artist refining his technique and using quality materials. There is a degree of control and intentionality in his exploration of anime/manga. The works can be appreciated on many levels and are more than just bright colorful pictures of girls. An element of Japanese culture which many will never explore or know is hiding there in plain view.

Mr. mentioned Hatsune Miku which is a virtual character during question period. Huffington Post reported about this trend in Meet Hatsune Miku, The Sensational Japanese Pop Star Who Doesn’t Really Exist:

Miku is a mascot for a product: a voice synthesizing software, through which users can write songs. In 2007, a company called Crypton Future Media released the software for purchase, built using Yamaha’s Vocaloid technology as well as a database of samples recorded by a voice actress. As with most of Japan’s entities (including the country’s police agencies), this offering came with a cartoon mascot. She was 16, liked pop music, and wore her hair in long pigtails. She was Hatsune Miku, a name that translates to “first sound of the future….” http://www.huffingtonpost.com/2014/10/08/hatsune-miku-letterman_n_5956420.html

One can only wonder if this is the next path for Mr.

Dr. Wilda recommends Live On and if the reader can attend Pop Departures, it will simply enhance the enjoyment of both exhibits.

Resources:

What are Manga and Anime?

http://www.mit.edu/~rei/Expl.html

The Truth Behind What “Otaku” Really Means

http://japaneselevelup.com/the-truth-behind-what-otaku-really-means/

Lolicon: The Reality of ‘Virtual Child Pornography’ in Japan

http://www.academia.edu/3665383/Lolicon_The_Reality_of_Virtual_Child_Pornography_in_Japan

Related:

Dr. Wilda Reviews Seattle Art Museum’s Pop Departures                                                     https://drwildareviews.wordpress.com/2014/10/12/dr-wilda-reviews-seattle-art-museums-pop-departures/

Dr Wilda Reviews: Deco Japan: Shaping Art and Culture, 1920–1945 at the Seattle Art Museum                                                                                                                                                                 https://drwildareviews.wordpress.com/2014/05/21/dr-wilda-reviews-deco-japan-shaping-art-and-culture-1920-1945-at-the-seattle-art-museum/

Dr. Wilda Reviews art exhibit: ‘Hometown Boy: Liu Xiaodong’ at Seattle Art Museum           https://drwildareviews.wordpress.com/2013/09/12/dr-wilda-reviews-art-exhibit-hometown-boy-liu-xiaodong-at-seattle-art-museum/

Dr. Wilda Reviews: Seattle Art Museum’s ‘Future Beauty: 30 Years of Japanese Fashion’                                                         https://drwildareviews.wordpress.com/2013/06/30/dr-wilda-reviews-seattle-art-museums-future-beauty-30-years-of-japanese-fashion/

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Dr. Wilda Reviews: Excavate! Dinosaurs: Paper Toy Paleontology

18 Nov

Moi received a complimentary copy of Excavate! Dinosaurs: Paper Toy Paleontology (Dinosaurs). Here are some details about the book from the publisher:

Excavate! Dinosaurs

Paper Toy Paleontology

Jonathan Tennant

http://www.storey.com/author.php?ID=503408

Illustrated by Vladmir Nikolov and Charlie Simpson

Jonathan Tennant is a science educator and paleontologist working on his PhD in tetrapod biodiversity and extinction at Imperial College in London, England. He co-hosts a podcast series called Palaeocast, tweets as @protohedgehog, and blogs at egu.eu/palaeoblog.

Download high-res cover Preview Book

http://www.storey.com/inc/pic_display.php?isbn=9781612125206&size=full 

The ultimate gift for dinosaur-loving kids ages 7 and up! With fun text and colorful illustrations, paleontologist Jonathan Tennant explains the anatomy, habits, and diet of 12 dinosaurs from the Cretaceous, Jurassic, and Triassic eras and then provides pop-out pieces of their skeletons for kids to assemble into stand-up paper models. However, the pieces are mixed up! Before the puzzles can be completed, kids must apply their new knowledge about the dinosaurs to figure out which pieces go together. Kids will love the challenge of sorting out which bones belong to which dinosaur — just like real paleontologists do!

$ 12.95 US

Details

Although, primarily aimed at children, children from a precocious five to age six and above will have fun with Dinosaurs. NOTE: “CHOKING HAZARD – Small parts. Not for children under 3 years.”

1. Marianne Richmond writes in What Makes a Good Children’s Book?1. Strong characters who evoke strong emotion Good children’s books, no matter how simple or complex, offer a sense of joy. They can make us laugh or cry by giving us a character we want to care about…. 2. A Story that Teaches Good stories can teach simple concepts about numbers, letters or colors — OR they can teach about diversity, love, manners, and acceptance.                                3. Mind-expanding illustrations, vocabulary or concepts                          http://thewritepractice.com/childrens-book/

The premise of the book is the child learns what it is like to be a paleontologist. The reader is guided to ask about what dinosaurs were, how we know they existed from the fossil record, and learn about the time periods dinosaurs lived. Tennant provides easily understandable answers and the illustrations clearly illustrate the text. The great thing about the book is children of all ages are given “3D paper models of 12 of the most amazing dinosaurs from the Cretaceous, Jurassic and Triassic periods.” Not only does the reader learn about dinosaurs, it is fun learning which involves a participatory activity.

The book is printed on quality paper with good understandable text and illustrations. Dinosaurs is just plain fun.

Dr. Wilda gives Excavate! Dinosaurs: Paper Toy Paleontology a thumbs up.

Resources:

Dinosaur Facts for Kids                                                                                                               http://www.sciencekids.co.nz/sciencefacts/dinosaurs.html

Dinosaur Games                                                                                                                             http://pbskids.org/games/dinosaur/

Other Reviews:

Review: Excavate! Dinosaurs Paper Toy Paleontology by Jon Tennant http://secondbookshelf.blogspot.com/2014/09/review-excavate-dinosaurs-paper-toy.html

Excavate! Dinosaurs: Paper Toy Paleontology by Jonathan Tennant, Vladamir Nikolov and Charlie Simpson                                                                                                                               http://www.thebookbag.co.uk/reviews/index.php?title=Excavate!_Dinosaurs:_Paper_Toy_Paleontology_by_Jonathan_Tennant,_Vladamir_Nikolov_and_Charlie_Simpson

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Dr. Wilda Reviews Seattle Art Museum upcoming 2015 -2016 season: SAM wants to be YOUR museum

16 Nov

Moi joined other media and supporters of Seattle Art Museum (SAM) for a complimentary lunch at the Triple Door which was catered by Wild Ginger. There was an air of anticipation in the crowd about what was next on the SAM agenda. The 2014 season had been very successful with international shows like Peru: Kingdoms of the Sun and the Moon http://seattleartmuseum.org/exhibitions/peru The curator staff at SAM seems to be both imaginative and resourceful. Given the stratospheric prices art is going for at auction, the question is how resourceful and creative could the SAM staff be? The answer which came during the event was the SAM staff was just as resourceful as ever and they are making an attempt to be Seattle’s art museum by appealing to many different segments of the community.

There was the announcement that the Virginia and Bagley Wright Collection gift to SAM’s permanent collection will be on display:

In celebration of this gift, SAM will be featuring highlights of the collection throughout the modern and contemporary galleries beginning in the spring of 2015. In addition, the museum is organizing a major exhibition for the summer of 2016 that will feature abstract works from the Wright Collection as well as works in the SAM collection and other key loans….http://www.seattleartmuseum.org/about-sam/press-room/the-wright-collection-of-modern-and-contemporary-art-comes-to-seattle-art-museum

This gift is the backbone which will enhance exhibits like Pop Departures. http://www.seattleartmuseum.org/exhibitions/pop and City Dwellers which showcases contemporary art from India. http://www.seattleartmuseum.org/Exhibitions/Details?EventId=27436 Future contemporary exhibits have a wonderful platform from which to launch. SAM is blessed with three great venues, SAM Downtown, Olympic Sculpture Park, and the Asian Museum at Volunteer Park. All three venues have some exciting exhibits coming up. Sam Vernon will be at Olympic Sculpture Park from Mar 28 2015 – Mar 6 2016 http://www.seattleartmuseum.org/Exhibitions/Details?EventId=28606

At the Asian Art Museum, there are two exhibits of note in addition to the permanent collection. Live On: Mr.’s Japanese Neo-Pop will be on view from Nov 22 2014 – Apr 5 2015 in Tateuchi Galleries. Japanese artist, Chiho Aoshima will have an exhibit from April 25 – October 4, 2015. http://www.artspace.com/chiho_aoshima

Here are the highlights of the upcoming season:

  1. Native American Art

Indigenous Beauty

Feb 12 – May 17 2015

Seattle Art Museum

Simonyi Special Exhibition Galleries                                                                                                           http://www.seattleartmuseum.org/exhibitions/indigenous

  1. Native Coast Art

Seattle Collects Northwest Coast Native Art

Feb 12 – May 17 2015

Seattle Art Museum

Simonyi Special Exhibition Galleries                                                                                                             http://www.seattleartmuseum.org/Exhibitions/Details?EventId=27983

  1. Global African Art

Disguise: Masks and Global African Art

Jun 18 – Sep 7 2015

Seattle Art Museum

Simonyi Special Exhibition Galleries

http://www.seattleartmuseum.org/exhibitions/disguise

  1. Impressionism

Intimate Impressionism from the National Gallery of Art

Oct 1 2015 – Jan 10 2016

Seattle Art Museum

Simonyi Special Exhibition Galleries                                                                                                                        http://www.seattleartmuseum.org/Exhibitions/Details?EventId=27987

  1. Samuel F.B. Morse

Samuel F.B. Morse’s Gallery of the Louvre

Sep 16 2015 – Jan 10 2016

Seattle Art Museum

Third Floor Galleries                                                                                                                                           http://www.seattleartmuseum.org/Exhibitions/Details?EventId=27988

  1. Kehinde Wiley

Kehinde Wiley: A New Republic

Feb 11 – May 8 2016

Seattle Art Museum

Simonyi Special Exhibition Galleries                                                                                                         http://www.seattleartmuseum.org/Exhibitions/Details?EventId=29707

  1. Seeing Nature

Seeing Nature

Feb 16 – May 21 2017

Seattle Art Museum

Simonyi Special Exhibition Galleries

Co-organized by the Seattle Art Museum, the Portland Art Museum, and the Paul G. Allen Family Collection, Seeing Nature: Landscape Masterworks from the Paul G. Allen Family Collection

http://www.seattleartmuseum.org/Exhibitions/Details?EventId=30737

The headline from the SAM preview is SAM wants to be YOUR museum. The upcoming exhibits have a strong ethnic component and hopefully will draw crowds that don’t necessarily come to SAM. Through loans, guest curators and strong collaboration, SAM is assembling art works which show very good examples of an art theme and there are various themes for the upcoming season. For those who don’t live in Seattle, but who may be planning a trip, you might want to come during an exhibit time.

The 2015 – 2016 and beyond season is definitely a thumbs up.

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